Sunday, 10 January 2016
The main feature of this paintings is the emptyness and it is absolutely bored. The sense of painting is to be full of soul or sometihing new, as a stethic or some special sense such as beauty, spirituality,etc.
What was the problem? If I drew other lanscape better than this. I have realized that I don' t have technique to choose in each moment. I think it is no quetion to take a stick and spread it a long the paper. Practice is essential but not either practice. A long last years I draw for pleasure trying to improve. After analysing my way to draw I make the same mistakes. I draw without orientation. I take the advice of many drawers which is draw , draw , draw and it will pull out easily. Is it true? I have doubts about it. I think the way in the case of pastel is to do a painting at the same time as a artist. It was the case of my painting of pears.
I am going to copy a landscape which I have watched in YouTube.
Friday, 8 January 2016
Mistakes: The nose is badly drawn.The eyes are much bigger than they have to be. It is poor in shadow and highlight. Is the face´s shape well made? Is each part in the right place?
Thursday, 7 January 2016
- Place. It has to place a little up.
. Thumbnail: it was done but the neck is too thickset. The body is rare , strange because of propotion.
- Volume. It doesn't exist.
- The head is not end up yet.
- Background: It is simple without grace and sense. It is only a spreading yellow.
Sometimes I notice I pick up the real sight of the eyes and this is most dificult hability. I know I am going to be a good portrait drawer. The key is keeping on it.
Mistakes: rigid drawing, wrong mesures, small paper, lack of shadow and highlight, worse lines for example in the nose. The cranium is too small.